Saturday, 2 May 2026

Delicate bluebells, vibrant fields & interesting hedgerows

 


April comes with our woods being filled with bluebells, their delicate stems dancing in the breeze. There are some interesting facts & superstitions associated with bluebells & fairy rings. The sap used to be used in book binding. 

We have been on a few local walks through fields of vibrant yellow rape seed / canola & stopped to take photos of the bluebells nestled next to the hedgerows. 

In places on the field, the rape seed was as tall as I am & being at the same height gives you a heady scent. The flowers attract all sorts of little insects & bugs & when I got back to the car & at home, I found all sorts of things dropping out of my hair. 

Our little wood opposite our house had such interesting clusters of bluebells - blue, pink & white ones in clusters under the trees. 

Nature has the best colours under the dappled light of the emerging leaves in the woods. The woods have English bluebells but we have some Spanish ones in our garden that I do not remember planting, just a little patch under the shrubs. This link helps to identify the two different ones. 

I hope you have time to get out in nature too & to enjoy the calm of forest bathing in the woods - just connecting to nature & birdsongs. 

Thanks for stopping by, please leave a comment so I can return the visit. 

Dee πŸͺΎπŸͺ΅πŸŒΎπŸ’

Friday, 1 May 2026

Date & banana bread

 


I am always loathe to throw over ripe bananas because they make the best banana bread. 

The recipe I used today makes 1 large loaf & 12 muffin size ones. 

250g salted butter, at room temperature 

200g brown sugar

4 large eggs

200g of pitted dates, cut & soaked in fruit tea to just cover

5 / 6 ripe bananas, mashed

480g flour

2 tbsp of baking powder

1-2 tsp spices of choice (cinnamon, mixed spice, nutmeg etc)

2 tsp vanilla extract 

I used loaf liners / muffin papers so no need to grease the pans

Preheat the oven to 175c fan

Chop the 200g of dates, place in a shallow bowl & add a fruit tea bag & boiling water to just cover. I used peach & orange tea but any fruit or earl grey tea will do. Leave to steep & mash with a fork. 

Cream the butter & sugar till light & fluffy.

Add the cooled dates & the liquid to the bowl & mix again till light. 

Add the eggs & some of the flour & mix well. 

Add the remaining flour, the vanilla extract, the baking powder & spices & mix lightly. 

I first added a serving spoon of mixture to each of the 12 muffin cases, then spooned the rest of the mixture in to the loaf tin. 

Bake for 30-35 minutes for the muffins - check with a sharp knife to see if done. 

Keep baking the loaf for another 25-35 minutes until a sharp knife comes out cleanly. 

I covered it half way with tin foil to stop it browning too much. 

Cool on racks, pop on the kettle & enjoy. 


If I am not going to eat all the loaf over a few days, I slice it & freeze it sliced. 

When a treat is needed, a slice can be heated & then buttered so it is never wasted. 

How do you like yours? Tell all.  

Thank you for stopping by, it is appreciated. 

Dee πŸ§ˆπŸ§‘‍🍳 πŸ“πŸ‘©‍πŸ’»

Tuesday, 14 April 2026

Minding my time ...

 


I do like to have time to just 'be' - to relax & gather my thoughts in a contemplative way.  Solitude is always welcome in my world. 

My friends recognised that I am changing my work / life balance to more life this year & their gifts reflected this. 

The trio of Sara Miller gifts is perfect for quiet time - a mindful journal, biscuit tin (that was filled with homemade shortbread when it arrived) and a matching tea tin are a delight. I am tending towards fruit teas in the afternoon & this is a perfectly lovely tin to keep them in.  I am not a fan of green tea but the fruit teas are very nice hot, with a sprig of mint or lemon verbena when that leaves up again after winter. 


The biscuit tin has gifted biscuits - little almond biscotti & some delightful pfeffernusse cookies. The soft ginger texture is very tasty. They look delightful in the tin. 

The mindfulness journal requires dedication to use it often - there are no days so it is 'mindful' writing rather than needful. 

I saw this 'postage stamp' cutter used on various Instagram feeds & it is an interesting way to take a snippet of things in ones day. This one has the advantage of an open cutting side so you can position it over the part you want to use. It is a new toy that I am using to include snippets in my journal. 

I love candles but am mindful that some give off toxic fumes. This is a gifted one made of soya wax with a delicate scent in the right tone to go with the set. 

The pen was gifted last year by another friend - who else loves a good pen? It makes all the difference to how you write when you use a pen that glides. I have taught hundreds of pupils to write over my long career in education & need to take my own advice - slow down & write neatly!

I am pencilling things in to my diary - courses I have already booked & those I want to take; one has to plan ahead to enjoy the luxury of more time. I do not intend to waste mine. Inspire me with what you do ... 

Thank you for stopping by, you are always most welcome here. 

Dee ✍️πŸ“πŸ‘©‍πŸ’»πŸ–‹️πŸ“‘

Wednesday, 1 April 2026

A fascinating visit to Shrewsbury flaxmill & maltings

 

Come with me for a fascinating local visit to the first high rise building in the world that used steel to build upwards for strength & safety. 

My cousin Lorraine, who also has a passion for history, joined me for a fascinating morning tour of the Shrewsbury Flaxmill Maltings site. 

It is a grade 1 listed building standing 5 storeys high with an elegant crown on top of the tower. 

It is a local landmark on the outskirts of our county town of Shrewsbury & was saved from neglect by a dedicated team of fundraisers & English Heritage.  

It is a few miles away from the world heritage Ironbridge, which was the first Iron bridge ever built in the world. The processes of casting iron for a loadbearing structure led to the Industrial Revolution world wide & advanced buildings techniques. It all started in a little gorge in a relatively quiet part of England but the repercussions were felt world wide. 


At a time of the 'dark satanic mills' of William Blake's famous poetry, mills were dangerous places with crowded conditions of over 800 worker, some child labour, long hours, unsafe working conditions & often death by limbs being caught in the machinery or by the fires that swept the buildings where fragments of wool, or fabrics were in the air & were easily ignited. This brick & metal structural building was a massive improvement on the timber factories that caught fire so easily when flying fluff was ignited so easily by the candles used to light up the factories. 



The Shrewsbury Flaxmill was built from 1796 -1800 to make threads for linen from flax. 

I did not know that flax comes from the linseed plant & that the top seeds on the stems were cut off to be pressed for flax / linseed oil. I have oiled furniture with it without knowing anything about the plant. 

Several processes were needed to produce the flax from the tough stems & to make them pliable enough for weaving in to essential fabrics with a sailcloth / canvas like property that was used on ships sails (when coated to make them waterproof) or even on early airplane construction using fabric.  It was also used for linen clothing, furnishings etc. A versatile but expensive thread because of the many processes to get it to a workable, useable thread. 

This mill used technology from the nearby Ironbridge to make the building frame from iron, thus reducing the chance of the mill catching fire as so many had. The defunct Shropshire Union canal had a branch that ran alongside the mill & provided access to water &  the transport of materials more easily. 

Construction of the mill began in 1796, on a site next to the newly built Shrewsbury Canal, which was used to bring in raw materials and coal. The building was complete by 1800.

Externally, it looks much like other textile mills of the age: a plain brick shell, five storeys high, with regular rows of windows. The building is about 12 metres wide and 54 metres long. Each floor is a single long, open space. The outer walls, around 2 feet (0.6 metres) thick, are of load-bearing brick. The internal frame is the first multi-storey structural frame to be made entirely of iron in history, so is the ancestor of all iron- and steel-framed buildings in the world.

The columns and beams for the frame were cast in the foundry set up by William Hazledine in 1789 at Coleham, near Shrewsbury. Hazledine was highly regarded – the engineer Thomas Telford called him a ‘magician’ – and his company’s first known job was to make cast iron columns for the new parish church of St Chad, Shrewsbury (1790–92). Hazledine later supplied Thomas Telford with components for his famous aqueduct, the Pontcysyllte near Llangollen, and for his bridge spanning the Menai Strait between Anglesey and mainland Wales, then the longest suspension bridge in the world.


The large array of buildings also had vast dye rooms  where the cloth was dyed using plant materials; these rooms are sadly lost to time. 

When the mills declined, the buildings were taken over by maltings companies to process barley in to malt for beer making. The buildings underwent changes with steam rooms & additional spaces. 

During WWII, the buildings housed soldiers before returning to their malting processes again. The soldiers billeted there nicknamed it the 'Rat Hotel' because rats were a plague where barley was stored & they could get in & feast happily on it. Cats were introduced to the site but they were not as effective as Jack Russel dogs which were better rat catchers. People were also employed as rat catchers to protect the barley from these pests. 




The outside of the building gives up its history & our fascinating tour guide pointed out the different brick sizes. 

Bricks were taxed per 1000 so the brickyards made larger bricks & part of the original building had 2 sizes of bricks showing the way they tried to get around the brick tax (much the same as windows were bricked up when a window tax was introduced).

The larger bricks were the older ones & when enough tax wasn't raised on bricks, all bricks were taxes by number which was a blow to the brickmakers who had innovated to protect their livelihoods. 

Commercial names are still visible on the back of the buildings, a reminder of the changing history of the buildings. 

Apprentices were housed in an adjacent building, often quite young & they were used as cheap labour or families encouraged young people to seek work when things were tough. 

They were given food, one set of clothes a year & a basic education. Many poor, orphans or workhouse children were 'apprenticed' to such places. 

The apprentice building still has to be restored but its solid brick structure a reminder of times when children worked from quite a young age. 

It is possible that the girls & boys each occupied a different floor with meals taken downstairs with a person in charge of them all. 

The cast iron support beams on the main building are fascinating - cast so they were slightly bulged in the centre for the weight but in long rows of 3, with the centre one having a space for the mechanisms to pass through. The 4th floor has plainer beams while the the top floor, the 5th, had the interesting ones with the shape down the centre line. 

The columns at the Shrewsbury mill were placed around 3 metres (10 feet) apart, reflecting standard practice in comparable timber-framed structures, and carry iron beams. Shallow brick vaults were built between the beams to form the floors, which have cement surfaces. Together, these elements made a fireproof structure.

The ceilings are vaulted & it has a long line of windows each side in varying sizes. Light was essential for working long shifts during the time it was both a mill & malting. 

The engine house built in 1810 at the southern end of the main spinning mill. It had a 60-horsepower steam engine installed to power the flax-spinning machinery, replacing the original engine. The projecting timber hoist tower was added in 1897 as part of the conversion to a maltings

The buildings also show their numerous additions with the wooden structures that housed the steam engine. 

There is an image of a working flax mill & of a maltings online 

The crown atop of the Jubilee tower was an original 'flat pack' cast iron design that was assembled on site originally & it was restored as part of the mill restoration. 

It is a local landmark, the tower with its elegant crown.  I will visit on a weekend when tower visits are open as I think the view from up high will be amazing. 

It was an absolutely fascinating morning doing the tour & taking in the local history of a place I had passed often since it was saved from ruin about 10 years ago. A visit was definitely overdue. 

I am always immensely proud of Shropshire, the county of my maternal great great grandfather where innovation was found & which spread out world wide. 

We take too much for granted now with cheap fabrics & throw away clothing; the efforts to innovate & provide in the time when everything was expensive is not appreciated. 

I hope you have enjoyed this visit with me, do stop by again soon, 

Dee πŸ“šπŸ‘‘πŸ§±πŸ­πŸ«

Sunday, 29 March 2026

450 years of Shrewsbury Library history

 

I have visited our county town of Shrewsbury for at least 25 years & often take visitors there because the town is regularly used for filming period dramas. It has over 200 listed buildings, its cobbled streets, churches & authentic black & white buildings photograph very well. 

We were booked to do a course in the Library, & while I knew where it was, I had never been in to it. The entrance is behind the statue of Charles Darwin who was born in our county, went to school there & set off on his famous travels from the hotel on Wyle Cop. 

The Library is a grade 1 listed building, with a long history of over 450 years. 

It was originally a school, founded on a Charter by King Edward VI in 1552 to provide education to the town. 

The earliest part is Riggs hall which dates back to mid 1400's and was incorporated in to the building later on. 

After our course, were advised to go up to the reading rooms upstairs after our course & duly took the broad stairs up to explore.  The windows are set in deep stone walls - solid & ancient. 



What a gem the reading rooms / library was. 

Large open ceilings with bright windows looking down on the town below & across to the Castle & the beautiful railway station. 

The Darwin reading room with its pale vaulted ceiling has windows with heraldic symbols. 

The room was hushed with several adult students working on laptops at the various tables. 

The creamy white ceilings & walls give this space a sense of lightness.

The Old School Room was similar but with dark ceiling beams & oak panelling that students in bygone times when it was a school, had carved their names in the oak. 

I saw one from 1780 & 1860. Preserved for posterity. 

This space was also well used & people were working away quietly at the various tables. 

The oak lined windowsills with views over the surrounding rooftops behind the library - glimpses of sky but not low enough to have distracted the students in times past. 

I love that the students left their names for posterity, probably blunting their compass points as they surreptitiously added their names without being caught by the school master. I wonder how many were in each class & if it was mixed education for both boys & girls? 

I worked in both public & academic libraries years ago & love these spaces with books & quiet spaces. It is something I have always enjoyed. 

I will definitely be back again, to browse the building & hopefully take another course or two. 

Thank you for stopping by, it is appreciated. 

Dee πŸ“šπŸ“–πŸ“™πŸ“˜πŸ§‘‍πŸ«πŸ“‡