I participate in the online Making Zen retreats several times a year for the inspiration & new techniques it offers over the week of the 30 workshops.
I always look out for the ones I think will be of interest & just glance over the ones that are not my thing. However, there are some techniques I have never tried that are worth watching just for the background on them. You never know if you will like something until you try it.
Several tutors are regulars on the platform & I have got to know which ones I align more with so I look out for their workshops.
Last year, I experimented with the reverse applique technique taught by Rebekah Johnston
Her Making Zen workshop looked at using reverse applique / cut away technique then using hand outline in positive & negative outline.
The background is made up of layered fabrics on a background fabric, stitched in lines through all the layers.
It is then cut between the layers to reveal some of the layers underneath, varying the depth of the cuts gives different effects through the layers of fabrics.
When laying down the initial layer, you are conscious of the colours that are in the various layers - this is where you can be quite creative.
As you can see at the bottom, my machine did not like all the layers but that bunching up was cut away so it was of no consequence.The initial preparation took longer than I thought because of looking at various fabrics, weights, colours, textures etc until I decided to just get on with it.
It is too easy to get bogged down in the prep rather than start. I turned the top layer to the reverse because it was fitted in better, the colours were more suited to the overall colours.
These layers were sandwiched under a top layer, pinned, & trimmed to the back layer size.
I marked sewing lines on the top fabric, I should have made them slightly closer but they worked fine.
The lines were machine stitched as the holding shape between all the layers.
My top layer frayed a lot & I had to pull out lots of threads & bits to neaten it up. I trimmed some of the open layers a little to reveal the lower layers better.
I traced my left hand on some freezer paper that was then ironed on to the fabric I wanted to use for the hand. The benefit being that it was firmer to cut to get a neat positive & negative shape.
The negative cut out shape was tricky to pin because it was quite wobbly in places but I used the freezer paper of the positive hand to reshape it as I pinned.
This pinning stage is important if you want a clean outline that is not too distorted.
Because some of my background layers were greens, florals, purples & yellows, I opted to cut out my hand in a batik fabric that had those colours too so it worked across the whole piece.
After pinning, I used tiny bits of hemming web in places on the negative outline to give it a bit more stability - just very little pieces that held the outline firmly in place when ironed. This certainly helped.
The positive hand was whip stitched along the outside edge, easier to sew this hand because of the good shape.
The negative - cut out hand shape, was straight stitched in 3 strand embroidery cotton which worked well. The edge of the outline shape also had a row of running stitches, just smaller ones & further apart.
Once completed, I think it is an interesting use of cut away / reverse applique technique & it has opened up many possibilities to use it again. The background is made up of layered fabrics on a background fabric, stitched in lines through all the layers then cut between the layers to reveal some of the layers underneath, varying the depth of the cuts gives different effects through the layers. The effects could be changed by layering horizontally, or by stitching in closer lines, or by having the design drift off the background layers. The possibilities are exciting.
I rather like having my hand immortalised for posterity.
As always I am extremely grateful to the Making Zen tutors who inspire us to step out of our comfort zone & try something new.
Thank you for stopping by, I hope you are inspired to try something different too.
Dee























