Wednesday, 1 April 2026

A fascinating visit to Shrewsbury flaxmill & maltings

 

Come with me for a fascinating local visit to the first high rise building in the world that used steel to build upwards for strength & safety. 

My cousin Lorraine, who also has a passion for history, joined me for a fascinating morning tour of the Shrewsbury Flaxmill Maltings site. 

It is a grade 1 listed building standing 5 storeys high with an elegant crown on top of the tower. 

It is a local landmark on the outskirts of our county town of Shrewsbury & was saved from neglect by a dedicated team of fundraisers & English Heritage.  

It is a few miles away from the world heritage Ironbridge, which was the first Iron bridge ever built in the world. The processes of casting iron for a loadbearing structure led to the Industrial Revolution world wide & advanced buildings techniques. It all started in a little gorge in a relatively quiet part of England but the repercussions were felt world wide. 


At a time of the 'dark satanic mills' of William Blake's famous poetry, mills were dangerous places with crowded conditions of over 800 worker, some child labour, long hours, unsafe working conditions & often death by limbs being caught in the machinery or by the fires that swept the buildings where fragments of wool, or fabrics were in the air & were easily ignited. This brick & metal structural building was a massive improvement on the timber factories that caught fire so easily when flying fluff was ignited so easily by the candles used to light up the factories. 



The Shrewsbury Flaxmill was built from 1796 -1800 to make threads for linen from flax. 

I did not know that flax comes from the linseed plant & that the top seeds on the stems were cut off to be pressed for flax / linseed oil. I have oiled furniture with it without knowing anything about the plant. 

Several processes were needed to produce the flax from the tough stems & to make them pliable enough for weaving in to essential fabrics with a sailcloth / canvas like property that was used on ships sails (when coated to make them waterproof) or even on early airplane construction using fabric.  It was also used for linen clothing, furnishings etc. A versatile but expensive thread because of the many processes to get it to a workable, useable thread. 

This mill used technology from the nearby Ironbridge to make the building frame from iron, thus reducing the chance of the mill catching fire as so many had. The defunct Shropshire Union canal had a branch that ran alongside the mill & provided access to water &  the transport of materials more easily. 

Construction of the mill began in 1796, on a site next to the newly built Shrewsbury Canal, which was used to bring in raw materials and coal. The building was complete by 1800.

Externally, it looks much like other textile mills of the age: a plain brick shell, five storeys high, with regular rows of windows. The building is about 12 metres wide and 54 metres long. Each floor is a single long, open space. The outer walls, around 2 feet (0.6 metres) thick, are of load-bearing brick. The internal frame is the first multi-storey structural frame to be made entirely of iron in history, so is the ancestor of all iron- and steel-framed buildings in the world.

The columns and beams for the frame were cast in the foundry set up by William Hazledine in 1789 at Coleham, near Shrewsbury. Hazledine was highly regarded – the engineer Thomas Telford called him a ‘magician’ – and his company’s first known job was to make cast iron columns for the new parish church of St Chad, Shrewsbury (1790–92). Hazledine later supplied Thomas Telford with components for his famous aqueduct, the Pontcysyllte near Llangollen, and for his bridge spanning the Menai Strait between Anglesey and mainland Wales, then the longest suspension bridge in the world.


The large array of buildings also had vast dye rooms  where the cloth was dyed using plant materials; these rooms are sadly lost to time. 

When the mills declined, the buildings were taken over by maltings companies to process barley in to malt for beer making. The buildings underwent changes with steam rooms & additional spaces. 

During WWII, the buildings housed soldiers before returning to their malting processes again. The soldiers billeted there nicknamed it the 'Rat Hotel' because rats were a plague where barley was stored & they could get in & feast happily on it. Cats were introduced to the site but they were not as effective as Jack Russel dogs which were better rat catchers. People were also employed as rat catchers to protect the barley from these pests. 




The outside of the building gives up its history & our fascinating tour guide pointed out the different brick sizes. 

Bricks were taxed per 1000 so the brickyards made larger bricks & part of the original building had 2 sizes of bricks showing the way they tried to get around the brick tax (much the same as windows were bricked up when a window tax was introduced).

The larger bricks were the older ones & when enough tax wasn't raised on bricks, all bricks were taxes by number which was a blow to the brickmakers who had innovated to protect their livelihoods. 

Commercial names are still visible on the back of the buildings, a reminder of the changing history of the buildings. 

Apprentices were housed in an adjacent building, often quite young & they were used as cheap labour or families encouraged young people to seek work when things were tough. 

They were given food, one set of clothes a year & a basic education. Many poor, orphans or workhouse children were 'apprenticed' to such places. 

The apprentice building still has to be restored but its solid brick structure a reminder of times when children worked from quite a young age. 

It is possible that the girls & boys each occupied a different floor with meals taken downstairs with a person in charge of them all. 

The cast iron support beams on the main building are fascinating - cast so they were slightly bulged in the centre for the weight but in long rows of 3, with the centre one having a space for the mechanisms to pass through. The 4th floor has plainer beams while the the top floor, the 5th, had the interesting ones with the shape down the centre line. 

The columns at the Shrewsbury mill were placed around 3 metres (10 feet) apart, reflecting standard practice in comparable timber-framed structures, and carry iron beams. Shallow brick vaults were built between the beams to form the floors, which have cement surfaces. Together, these elements made a fireproof structure.

The ceilings are vaulted & it has a long line of windows each side in varying sizes. Light was essential for working long shifts during the time it was both a mill & malting. 

The engine house built in 1810 at the southern end of the main spinning mill. It had a 60-horsepower steam engine installed to power the flax-spinning machinery, replacing the original engine. The projecting timber hoist tower was added in 1897 as part of the conversion to a maltings

The buildings also show their numerous additions with the wooden structures that housed the steam engine. 

There is an image of a working flax mill & of a maltings online 

The crown atop of the Jubilee tower was an original 'flat pack' cast iron design that was assembled on site originally & it as restored as part of the mill restoration. 

It is a local landmark, the tower with its elegant crown.  I will visit on a weekend when tower visits are open as I think the view from up high will be amazing. 

It was an absolutely fascinating morning doing the tour & taking in the local history of a place I had passed often since it was saved from ruin about 10 years ago. A visit was definitely overdue. 

I am always immensely proud of Shropshire, the county of my maternal great great grandfather where innovation was found & which spread out world wide. 

We take too much for granted now with cheap fabrics & throw away clothing; the efforts to innovate & provide in the time when everything was expensive is not appreciated. 

I hope you have enjoyed this visit with me, do stop by again soon, 

Dee 📚👑🧱🏭🏫

Sunday, 29 March 2026

450 years of Shrewsbury Library history

 

I have visited our county town of Shrewsbury for at least 25 years & often take visitors there because the town is regularly used for filming period dramas. It has over 200 listed buildings, its cobbled streets, churches & authentic black & white buildings photograph very well. 

We were booked to do a course in the Library, & while I knew where it was, I had never been in to it. The entrance is behind the statue of Charles Darwin who was born in our county, went to school there & set off on his famous travels from the hotel on Wyle Cop. 

The Library is a grade 1 listed building, with a long history of over 450 years. 

It was originally a school, founded on a Charter by King Edward VI in 1552 to provide education to the town. 

The earliest part is Riggs hall which dates back to mid 1400's and was incorporated in to the building later on. 

After our course, were advised to go up to the reading rooms upstairs after our course & duly took the broad stairs up to explore.  The windows are set in deep stone walls - solid & ancient. 



What a gem the reading rooms / library was. 

Large open ceilings with bright windows looking down on the town below & across to the Castle & the beautiful railway station. 

The Darwin reading room with its pale vaulted ceiling has windows with heraldic symbols. 

The room was hushed with several adult students working on laptops at the various tables. 

The creamy white ceilings & walls give this space a sense of lightness.

The Old School Room was similar but with dark ceiling beams & oak panelling that students in bygone times when it was a school, had carved their names in the oak. 

I saw one from 1780 & 1860. Preserved for posterity. 

This space was also well used & people were working away quietly at the various tables. 

The oak lined windowsills with views over the surrounding rooftops behind the library - glimpses of sky but not low enough to have distracted the students in times past. 

I love that the students left their names for posterity, probably blunting their compass points as they surreptitiously added their names without being caught by the school master. I wonder how many were in each class & if it was mixed education for both boys & girls? 

I worked in both public & academic libraries years ago & love these spaces with books & quiet spaces. It is something I have always enjoyed. 

I will definitely be back again, to browse the building & hopefully take another course or two. 

Thank you for stopping by, it is appreciated. 

Dee 📚📖📙📘🧑‍🏫📇

Saturday, 28 March 2026

A glass painting morning ...

 

I love taking courses & regularly sign up for various ones I am interested in. I think it is being a life long teacher with an inquiring mind & a willingness to learn new things. 

My friend Ellie & I have done several courses together; hand sewing 'Gentlework' day, a wet felting day, goldwork embroidery & she spied this glass painting one locally in our county town of Shrewsbury. 

It is a new one for me as I do not have any experience in this but I am always up for a challenge. 

Floral Glass Painting Workshop

Join us for a relaxed, morning of glass painting. You’ll use gold outliner and jewel-like paints to create a floral design with a beautiful stained-glass effect. At the end, you’ll take home your own framed piece – a perfect handmade gift or something special to keep for yourself.

No experience needed, just come along and enjoy a creative couple of hours in good company. All materials are provided.

I love info that says 'all materials provided' because you really do not know what is needed. 

✨ Artist Bio – Emma Williams

Local artist Emma Williams is well renowned for her award-winning creative window displays and murals, which bring colour and imagination to Shrewsbury and beyond. Alongside her public artwork, Emma enjoys teaching in small group settings, where she shares some of the artistic techniques she uses in her own practice. Her workshops are designed to promote mindfulness, creativity, and positive mental wellbeing, offering a welcoming space for people of all abilities to explore their creativity.

I had never even visited the library in Shrewsbury even though I take visitors to the statue of Charles Darwin just by the door. 

It is a hidden gem opposite the castle. 

The tutor Emma was very welcoming & we were soon all deciding on our floral pattern choice that was dictated by the size of the glass frame - 6x4. 

I had checked out the details the night before & decided  to trace a protea design as I am rather partial to proteas

We had the choice of gold or black outlining & I went with gold & had to modify my design to fit in, Outlining done & dried off with a blow drier then it was time to decide on colours & if they were to be matt, natural or pearlised too. Emma mixed up paints in tiny holders as we needed colours. 

Being the first time I have done it,  I needed to go over some of my gold lines as they contain the coloured paint  & I then used 2-3 pinks for the proteas, mixing the lighter & darker as I worked with it. 

The green is a little patchy to my mind & the gold stands out against it but I am pleased to have completed something I am happy with. 


Ellie & I both decided that it is something we will try again as it was very calming & enjoyable, with lots of potential. 

Ellie opted to do a rose as a gift & hers was soon taking shape in shades of yellow. 

Each floral painting was very different, depending on the flower chosen & the paints used. 

I am always fascinated how we start off with the same choices then end up with individual items. 








The end products of the small group of 8 of us was all very different & beautiful. 

Life long learning means doing things out of your comfort zone & leaning in to the new.  

I have already eyed up a few other courses there so who knows ... 


I spied this photo on a local facebook group - we were captured at our course in the library. The images on the glass are done by the course tutor. 

I asked for permission to share it here & Eddie sent it on to me. What a coincidence to be captured at our morning. 

Thank you for stopping by, it is appreciated. 

Dee 🖌️🎨🫟🧑‍🎨


Tuesday, 24 March 2026

A touch of Easter at home ...


Our conservatory sideboard is well used and it has had the Royal Albert Old Country Roses on it with Mother's day / Mothering Sunday in the UK. 

However, Easter is early this year, at the start of April & having a free morning, I decided it is time to change for the Easter things we will use.  These are some previous ones ... 

Easter 2012 

Easter 2013 

Easter 2014 

Easter 2015 

Easter 2016 

Easter 2017 

Easter 2018

Easter 2019

Easter 2020 Covid times 

Easter 2021

Easter 2023 

Easter 2024 

Easter 2025

I admit to not having many Easter plates etc but supplement the few bunny ones with the cream ones by Spode that are used all the time at home. 

The bowl & jug were birthday presents more than a decade ago from Ms M, my sister in law & they are used & enjoyed. 

The pattern is called 'Running hares' by John Atkinson of Bell Pottery in Oxfordshire and is perfect. 

The rabbit side plates & jars are just from Dunelm a few years ago, a useful size from the high street shop that go well with the bowl & jug. 



The glass bunny bowl & two little dishes were bought in Graaff Reinet in the Karoo on a visit several years ago.  They do not stand well on the sideboard hence the blue tack to keep them in place. 

The glass bowl is by the talented Karoo glass artist Marguerite Beneke . 

I visited her studio in Aberdeen, Karoo, South Africa while out with family.  Each piece of glass is unique, often fired three times at high temperature to get the glass shape, the painting set & then the little glass bits to melt too. It is a fascinating process that produces unique glass items. 

I have several of her painted tiles too with iconic Karoo scenes. 

The little bowl will hold some tiny chocolate eggs to nibble on. 

I bought these two cute bunny art works in Riga, Latvia some years back when I visited. 

As soon as I saw them, I knew they would be perfect at home where we had two lionhead house rabbits. 

Their colours co-ordinate perfectly with the other Easter bits so they fit in well. 

The coloured fabric serviettes are often used for the tea trays - they were TK Maxx a few years ago & I love their cheerfulness. 

I will make a cake, probably a Victoria Sponge cake for the cake stand on Easter Sunday & decorate it will little chocolate eggs. 

It is my favourite cake because it is not too rich & is nicest when eaten on the day it is baked. 

I'm sure everyone is getting ready for Easter too because the schools will soon be on holiday & the little ones will be keen to turn their thoughts to chocolate eggs. 

Thank you for stopping by, it is always appreciated. 

Dee 🐣🗿

Monday, 16 March 2026

The charm of French toile fabric

 While visiting family in Dorset, I was delighted to see there was a makers market on the Saturday. 

I prefer to support independent makers where I can because it is supporting livelihoods of creative people. 

I have followed AuntJanesattic on instagram for some time & when down in Dorset, I have looked for her on the stalls & bought some of her lovely makes. 

Her tabletop stall in the church hall was a delight of interesting spring items & some sweet Easter decorations.

My gaze fell on some packs of vintage fabric & I spied gorgeous pink / red toile fabric. I love the quirkiness of toile & the details on the country scenes on them. 

I purchased some delightful bits & once back in my Shire, I gently undid the plastic bag & some delightful things tumbled out; fabrics that go well with the toile, some pretty buttons, charms, vintage lace & some blue ticking. 

It is a well thought out fabric selection & I am delighted with my find. I have some ideas I have been formulating in my mind so do stop back to see what I decide. 

Who else finds gorgeous fabric irresistible? Do you have a colour palette you are drawn to? Thank you for stopping by, it is always appreciated. 

Dee 📍🪡🧵