Thursday, 15 October 2026

Some random slow stitching ...


I do love doing some random stitching, I am not a good pattern follower, preferring to intuitively stitch something. 

This week was such a week when I caught up with podcasts on the ipad as I got out a selection of fabrics at the little desk upstairs. 

I have an all day gentlework sewing day next weekend with the lovely Christine & there are some stitches I want to perfect ahead of the day. I have some favourite stitches but find changing threads on the blanket stitch is not as neat as I would want. 

I have done several workshops with Christine - she is so inspirational. 

So much fabric & choices 

Our Gentlework is all complete 

Picking up pieces of fabric 


I find lettering to be challenging too but like to include it at times. However, it takes me ages to do it because I find it does not always look how I want it to look. Who else has this issue & what tips do you have for me? 




I worked on a vintage cloth for this one - in muted colours that went well together with just a pop of colour in the pinks. However, I used 3 strands of embroidery thread when I think 2 could have been neater. 

The second piece was this one two hearts. Some years ago I bought some silk panels from a local person whose work I greatly admire. They were the type used in vintage dressing table sets, the ones under the glass on mirrors, brushes etc. Viv had some she was selling off. I also used her bunny outlines when I sewed a tribute to our bunnies. 


However, I remember putting them with some other bits I had bought from her & for the life of me I couldn’t find them. 

This week while tidying up my fabrics, there they were. I used some on the front & back, they add a delicateness to the pales fabrics. 

The front is very pale, the reverse fabrics are still neutral but darker. However, they go together rather well.

Definitely pleased with this make. 






While folding the fabrics I came across some bright fabric I liked & thought - why not. 


I cut out elements then rearranged them in a new pattern, looking for ways to unify the elements. 

I used colours that matched the sections & used a variety of stitches, mindful they would be back to back so needed to work together. 

I am not wild about this one but it was a good time to work on unifying stitches, fabric composition etc

Time passes quickly when you are busy with things. I added a few beads to this one. Beading is haphazard for me but my lovely neighbour has arranged tea & bead time so I hope to get some tips from her. 

I think I am more inclined towards the muted fabrics for my Gentlework workshop. 

Christine will have a pack for us to work from but I like to improve techniques (lettering, beading, edging etc) so I can use my time well in her workshop. 

These are some of my vintage threads in the muted colours that favour. 

I have a good selection of embroidery threads too, I just find these easy to use, especially for edging. 

What is keeping you occupied at the moment? My thoughts must turn to festive ones soon. 

Thank you for stopping by, you are always most welcome. 

Dee ๐Ÿงต๐Ÿ“๐Ÿชก๐Ÿงต


Tuesday, 13 October 2026

Time for an Autumn sideboard change ...

 

I love my conservatory sideboard; it works hard all year round with things we use at Easter, Christmas, summer entertaining etc. We use things straight off of it & it is a great backdrop to our various meals or entertaining in that space. 


It is changed several times a year . 

However, my pocket watch TIME plates have been on there too long. Much as a really love them, it was time for a change. 

While out in the woods yesterday afternoon for a walk, the same woods we gathered at in June to watch the eclipse, I picked up some beautiful autumn bits - very prickly conker shells & conkers, delicate branches with changing leaves, curly bark & some banded stones. 

I am a gatherer - I love to be in nature & to pick up little bits. 

This  reminded me that the sideboard needs a change. 

Some years back I bought a few of these Spode Woodland side plates from their factory shop in Stoke on Trent. The traditional wildlife design is instantly recognisable but I feel just these few suffice as we use them as side plates or for cake. 

I see they now have the most adorable Spode Woodland accent plates to go with the plainer ones I have. 

Be still my crockery loving heart, they really are cute ... 

Once the sideboard was cleared, the autumn selection came out of the other sideboard, the one in the dining room. 




I do like to mix things up so the red platter with the beaded insert came out - a gift more than 20 years ago from my sister in Africa. 

The woodland plates made an appearance, along with 2 yellow deer plates with their floral details. 

I was pleased that the new square platter with its bright autumn colours could go with this too - it came from a local market, new but useful for nibbles.  

The darker nights lend themselves to using more candles so I moved around some candleholders from the kitchen windowsill where they are en masse. 

What is Autumn without our windfall apples that like the coolness of the conservatory? 




The change in the seasons comes slowly, almost unnoticed until you have to put on a light earlier in the morning when you get up & suddenly realise the 4 minutes a day change in light is catching up quickly.

I hope you are also leaning in to which ever season is upon you, thank you for stopping by.

Dee ๐ŸŽ๐Ÿ๐Ÿ๐Ÿฅฎ

Monday, 12 October 2026

Variation on an apple theme - apple citrus loaves ...

We still have a glut of apples at home, mainly thanks to hubby & the windfalls at the golf course. 

There are several trees, all different so the bag that comes home with him has a real mixture of them.

The little red ones have quite a tough skin but are less prone to bruising. 

The ones that show marks / bruises after a day or so are cut up for the grateful blackbirds & the squirrels seem to have a liking for them too. Better they are eaten up by us & the wildlife than wasted under the trees.

This morning, I decided to make apple cakes again, the third weekend in a row. However, a grapefruit was on the side ready to be eaten so I thought - why not, variation on a theme. Apple & citrus go well.

I washed then zested the whole pink grapefruit, lovely pink strands of peel. I only juiced half a grapefruit & put the zest & juice in a dish. I peeled about 8 different sized apples, cutting 6 in to smaller cubes this time. The cubes were tossed in the juice & zest. 

The other two slightly larger apples were sliced in to thin slices, I left the peel on the red one. 

I made up a double mixture of cake using the same recipe as before.

Below is for 2 apple loaves 

Preheat oven to 160c

Mix 300g of light brown butter with 350g of butter until fluffy. 

Beat in 6 eggs, adding some of the flour if the mixture curdles slightly.

Mix in 400g of self raising flour, 2 tsp baking powder, spices to taste (I used vanilla & cinnamon.)

Fold in the apple cubes as well as the juice & zest mixture with a large spoon.

Spoon the mixture in to 2 lined loaf tins.

Arrange the cut apple slices on the top of the mixture, lightly pressing them in. Sprinkle with some demerara sugar & then bake for 50-55 min in the centre of the oven. Check with a sharp knife after about 45 min, then bake until it comes out clean.


Cool slightly on a rack, pop on the kettle & enjoy. 

This time, I cut the apples smaller & they did not sink as much in the batter, they were more evenly spread out. 

This variation is rather delicious with just a hint of citrus & not as sweet. Really worth a try if you have lots of apples about. It could easily be served as a pudding with a dollop of cream, custard or ice-cream. 

Thank  you for stopping by, it is always appreciated.

Dee ๐Ÿง‘‍๐Ÿณ๐Ÿฅฏ๐ŸŽ๐Ÿ

Saturday, 10 October 2026

Using the leftover creative pages - creatively ...

 

I shared my workshop doing mixed media work for a nature inspired collage. I left it overnight to dry on the table at home. 

This morning I looked at it with fresh eyes & truth be told, I am happy with the arrangement. 

I added in a seedpod from my plant pot next to the conservatory door because the colours & triangular shape fitted in well. 

I glued it on to of the curved bark that was somehow lost in the design.

I decided to stamp 'AUTUMN' on one of the papers & that was added. 

I looked at the black thread & needle but do not feel that it needs anything additional, at this moment in time. 

It feels finished to me. 


I looked at the collection of marked papers we had made to use & then I decided to cut some in to strips & do a paper weaving strip with them. I laid them on a thicker card on a plastic mat, arranged them & then taped the top down at the top to form the warp base. 

The remaining papers were woven through as weft threads, mixing them up to create a pattern that was pleasing to the eye.  The sepia pages were quite dominant in the weaving so I mixed them with the clear or lighter ones where possible. It did not take many sheets but it was good to use some of the pages in a different way. 

It might end up as just random paper work. 

I also made a little collection of fabric & paper from the stash as a simple tag to perhaps go on the woven papers. 

An interesting interlude just for the sake of playing with the papers we made marks on.

Thank you for stopping by, do leave a comment, 

Dee ๐Ÿ–ผ️๐Ÿ–Œ️๐ŸŽจ๐Ÿ‚๐Ÿงต

Friday, 9 October 2026

An afternoon exploring mixed media nature collage ...

 

When I stepped away from a lifetime in various educational settings in July, I set my mind on doing more of the things that interest me. 

I am a firm believer in lifelong education. 

I have always been a creative person, filling my time with activities that interest me or advance my skills via workshops.

A local one came up for mixed media nature collage. I have not done a lot of mixed media, this one in covid times was interesting & I enjoyed it. 

I am always happy to just have a go at new things, taking advantage of the skills of the tutor to guide through the processes. 

I have visited this shop recently which is how I came to know of her courses. She has only been open since the summer but her varied workshops appeal to me. 


I  arrived & the work table was set up for 7 of us ladies. We settled in with a cup of tea & some biscuits, before getting down to the guided workshop by Netty. Most of us had limited experience in mixed media so we were without expectations that hold you back.

We prepped our canvas to work on the inside of it as a frame - gesso & matt medium mixed with plaster of Paris powder to give it texture. 

These were set aside to dry while we explored the lovely selection of papers, card & fabrics in our pack.  

Using paints, pens & selection of objects, we covered the sheets in marks that would be used in our final collage. 

I restricted myself to just black & white paints & markers so I could concentrate on the marks rather than colours which can be distracting. 

We then used plaster of Paris & gesso with the lace on our marked sheets to give a texture. Some of our  sheets were a little wet but it worked fine. We used our sheets to make banners / strips around twigs / make paper beads to use in our nature collage. 

Then came the assembly / artistic part. We looked at Netty's examples for guidance but I do tend to overthink so I got to it, tearing, gluing, arranging my papers, twigs & paper beads in a way I liked. 

Because I had limited my colour palette, I found it surprisingly easy to arrange the mixed media in to a design that I liked.  

The gesso base was tacky so the papers stuck & this meant I had to be decisive in the placements which really helped to galvanise the thought process. 

We overran time wise, soon 3 hours was past & I must say, I am rather pleased with this first effort using these techniques. 

The table certainly showed our creative efforts with things out everywhere. 



What I always find fascinating in workshops is that we all started with a very similar pack of papers & fabrics, yet the finished items are always very different. 

It really shows how creativity works. 

I will still add some accent stitches on once the canvas is completely dried. 

This will need my awl to pierce the canvas - another decisive move because you have to be certain where you want the hole. 

That helps to combat analysis paralysis that often happens. 


I am already eyeing up some of the other workshops. 

However, I have two very different ones booked already for October elsewhere ... 

Lifelong learning continues, as it should. 

Thank you for stopping by, it is always appreciated. 

Dee ๐ŸŽจ๐Ÿ–Œ️๐Ÿ–ผ️๐Ÿ๐Ÿ‚๐Ÿงต๐Ÿชก